Thirty-five Years Styling Talent for the Camera. I've Dressed People From a Brief, From a Mood Board, and Occasionally From a Panicked Phone Call at 7am.

Wardrobe styling for television, film, commercial production, and print. Fashion styling for editorial and brand campaigns. Whatever the project, the look has to serve the camera — and I know exactly how to make that happen.

Wardrobe Styling for Camera is Its Own Discipline. After Thirty-five Years, It's Mine.

Dressing talent for a photograph or a television production is not the same as getting dressed in the morning. Everything is exaggerated by the camera — texture, proportion, color, fit. A great look in real life can read as flat, busy, or wrong on screen. My job is to understand what the camera will see, what the audience should feel, and how to dress the talent so that both of those things happen the right way.

I've been doing this for thirty-five years. I've worked on television productions across the country, commercial shoots for national brands, and editorial projects throughout Florida. Sometimes I meet the talent in advance and do a full fitting. Sometimes I'm working from a size chart and a brief and the talent walks in the morning of. Either way, the look has to be right — and it always is.

I also do fashion styling for commercial campaigns, editorial shoots, and brand content. If the project involves people and wardrobe — whether it's a major television production or a small commercial shoot for a local brand in Tampa Bay — reach out. This is what I've been doing longer than almost anything else.

Our Fashion and Wardrobe Styling Work.

Who I Work With.

Television and Film Productions.

I have thirty-five years of experience styling talent for the camera across television, film, and commercial production. I understand production timelines, I work well with directors and DPs, and I deliver the look the project needs — on schedule, on brief, and without drama.

Commercial and Advertising Shoots.

If your commercial, brand campaign, or print shoot has a people element, it needs a wardrobe stylist. I've worked on commercial productions for national brands and local businesses across Florida, and I know how to make talent look exactly the way the brief requires.

Editorial and Fashion Brands.

Fashion campaigns, lookbooks, editorial shoots — if the wardrobe is the product and it has to be flawless on camera, I'm the right call. I'm also the photographer, which means I understand what the finished image needs before we even start pulling looks.

"My job is to think about what the camera will see before anyone picks up the camera. Thirty-five years of doing that — it becomes instinct."

If the Wardrobe Has to Be Right — and It Always Has to Be Right — Let's Talk.

Tell me about your production, your timeline, and your brief. I'll tell you exactly what I can do.